Director Rachel Elizabeth Seed never knew her mother, Sheila Turner Seed, a globetrotting photographer and journalist who died suddenly when Rachel was a baby. When Rachel uncovers dozens of boxes of her mother's forgotten work, she sets off on a transcontinental journey to meet the iconic photographers with whom her mother had collaborated decades earlier. While enlivened by discovering her mother's life, she also learns the shocking truth about her death.

The film, set in Lagos, Cape Town and Zanzibar, tells the story of Lola, who recently separated from her husband in Lagos, seeks solace in Zanzibar, hoping to forget and move on with her life.

When Canada entered World War II, the National Film Board suddenly had an urgent new mission—and hundreds of women stepped forward, helping to create Canadian cinema as we now know it.

在阿登修道院（l’Abbaye d’Ardenne），当代出版记忆研究所（Institut Mémoires de l’Édition Contemporaine，简称IMEC）的阅览室里，伊莎贝尔·于尔恩（Isabelle Ullern）逐一打开装有莎拉·科夫曼（Sarah Kofman）档案的盒子。和她一起，我们深入了解这位法国哲学家的作品与人生。她在发表关于自己作为犹太儿童在被占领时期遭追捕的回忆录后，被抑郁症击垮，最终……

Languid and immersive, a river holds a perfect memory is an itinerant exploration of the interplay between human life and bodies of water as they relate to mobility and the Anthropocene. Contrasting disparate but interlinked sites, we drift between archival imagery of industrialising Lancashire and recent diaristic footage shot on Jamaican waterways – from sunlit raft meanders by day, to the depths of bioluminescent lagoons at night. Grounding questions surface amidst a textured organic soundscape, with the film bearing witness to the reservoirs of memories, racialised histories and transformative labour practices contained within waterways.

Reflecting on the memory and legacy of the Second World War.

Workers in an auto parts warehouse in 1933 New York City inhabit a bleak, dead-end world in the depths of the Depression where, at least, they have jobs. Introduced by its playwright, Arthur Miller, it was the first in a series of NET Playhouse programs concerning life in America during the Depression years.

Warsaw, mid-1980s. When it seemed that the Christmas party with her parents could not be more boring, Basia unexpectedly meets someone very familiar...

In this experimental collage film, Arthur Lipsett reworks over fifty years of newsreel footage into a surreal audiovisual montage of twentieth-century life. Juxtaposing images of scientific progress, political figures, spectacle, warfare, and everyday leisure, the film becomes a fragmented “time capsule” exploring the rituals and contradictions of modern technological culture.